War of the Worlds: Goliath

2012 [RUSSIAN]

Action / Adventure / Animation / Sci-Fi

Rotten Tomatoes Critics - Rotten 17%
Rotten Tomatoes Audience - Spilled 46%
IMDb Rating 5.4 10 1072


Uploaded By: OTTO
April 15, 2014 at 11:58 AM



Adam Baldwin as Wilson
Mark Sheppard as Sean O'Brien
Matt Letscher as Capt. Manfred von Richtofen
Adrian Paul as Patrick O'Brien
720p.BLU 1080p.BLU
699.30 MB
Russian 2.0
23.976 fps
1 hr 25 min
P/S 1 / 15
1.24 GB
Russian 2.0
23.976 fps
1 hr 25 min
P/S 2 / 12

Movie Reviews

Reviewed by Grumpy 5 / 10

Let's See Your War Face!

I don't know where this "style" of animation comes from. No, seriously, I don't know. But it seems like a lot of similar stuff was cranked out back in the eighties in shows like "He-Man" or "GI Joe." Every man a steroid-abusing lunk, every woman an astringent big sister. Is that how the world looks to eight-year-olds? I don't know.

I do know that what we see here is an alternative Earth where Martian steroid technology was adapted by Nicolai Tesla to enable all men to be gigantic muscle gods. Or something. But the 'roids also cause them to have bizarre behavioral changes--including constant teeth-clenching, weird grimmacing and a propensity to engage in suicidal fights--with each other, with Martians, with inanimate objects. All the actors spit out their lines like they are The Pharaoh cursing the Israelites. "Where're my pancakes!" sounds like a call to battle in this demented world where everything is macho and nothing is...well, um, "un-macho"?

It's all about the booming and the bashing and the hitting and the smacking, with unintentional comic relief provided by the tiny (of course)"girl" who has one heck of an anime hair-do. Anything--anything would have helped this dead whale get off the ground, except what they did. In this demented world, everything is based upon the social structure and skills of eight-year-olds. Conflict? Fight! All it needs is music by Metalica to be a perfect example of why maturity is a good thing.

Give this one a pass.

Reviewed by hayashimegumi 5 / 10

Visually pretty but storytelling wise, it is absolutely boring.

War of the Worlds: Goliath (2012) is visually pretty but storytelling wise, it is absolutely boring. If it wasn't the awesome concept from the novel and the effort on visuals, this one honestly might end up being the second animated feature I'd rate 1 star. But I rated it 5 stars anyway, as some of you might like it for whatever reasons.

When compared to all older Malaysian animated features, War of the Worlds: Goliath (2012) does has a nice feel to it but the plot is unfortunately quite bad. There are so many illogical scenes that are left unexplained or unfinished even until the end. The backstory? Certainly without much thought as it is not clear or even established in the animated feature itself.

I understand alien invasion and steampunk are interesting but the series of random elements and events here won't make it a great storytelling or an enjoyable, at least for me even though it is the prettiest Malaysian animated film. (Out of four that I have seen.)

Reviewed by andrew-ragland 7 / 10

Cracking Yarn

This is not a great movie, but it is a good one. Pearson sets out to tell the story of the second Martian invasion, with humanity using salvaged Martian technology and advances in their own to defend the world more actively than last time. He sets this against the dawn of what in our world would be the First World War. That serves only as backdrop, though. The incipient conflict in Europe, the problem of Irish home rule, and other issues get forgotten partway through the movie. That's okay. They were distractions, and would have detracted from the main story. This is a war movie, not a political drama. It has all the requisite elements of Japanese, American, and British war movies, all the tropes, all the conflicts, and manages to deliver them without becoming a muddle. We have the heroic yet damaged young officer proving himself and overcoming his past. We have the somewhat inappropriate relationship between comrades in arms. We have explosions, heroics, self-sacrifice, and triumph but at a terrible cost. The story of the initial invasion is told briefly, in the credits, ending with an atomic shadow on a wall in a burning city. Pearson moves straight from there to the action getting rolling, and keeps the pacing fairly tight, letting the audience catch their breath but just barely before throwing in the next assault. The film contains what it says on the tin. There's a lot to be said for that.

And hey, any movie with Theodore Roosevelt firing a heavy machine gun while riding atop a walking tank scores points with me.

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